- #Mac vs windows for artists install#
- #Mac vs windows for artists update#
- #Mac vs windows for artists pro#
- #Mac vs windows for artists professional#
- #Mac vs windows for artists mac#
The basic model would seemingly run all my current projects the way I want, but if we are upgrading then we should get more right? I have plans to edit 4k video in the next year so this system needs to compete (It would also help excuse this new expense). It felt malicious.īut where do I put all my internal drives? What about my needed third party video cards? What does it have for ports on it? Oh mostly Thunderbolt ports, no firewire huh? Great, so all of my backup drives are going to need an adapter? How very Apple of you.Īlready I’m watching the price tag go up for this new machine on their website and I haven’t even looked at what’s inside yet.
#Mac vs windows for artists update#
It felt like the update was there to force you to upgrade your hardware.
It was now our mission to bypass the new upgrades just to get our system running the way it was before. I cleared cache, cleaned up system drives, dumped the memory. Our HD timelines were running choppy and playback was terrible.įive minutes earlier Ian was cutting without a problem and with one update they made his hardware obsolete! In a panic I started scouring the Internet for fixes.
#Mac vs windows for artists install#
Software on their phones, a new version of iTunes, every time I start my computer it yells to upgrade! Finally, like everyone else, I just gave in to the install button. It was driving me nuts! Apple likes to nag and nag at you to update everything. It would pop up while I was delicately tracing over edges in Photoshop. It would constantly appear over my project window while watching footage with clients.
#Mac vs windows for artists mac#
That annoying update window that constantly pops up on all Mac products. r3d files from a Red Epic shot at 4K (at half quality) without a problem! All this on the hardware I already owned! Things were going great.
#Mac vs windows for artists pro#
It installed perfectly on my 2013 Mac Pro towers and ran my older HD 1080 projects like butter. The first few months on Premiere were a dream. Faster editing, more options, and happier editors! Imagine a timeline that was cutting in the codec you shot in:Īdobe did! Oh and here’s the kicker Adobe made is easy for you to import all of the old FCP 7 projects without a problem! The choice was simple, goodbye FCP7. It would force you to transcode to their approved video codec and sound files that were built specifically to run well in their program. Final Cut Pro 7, on the other hand, was different. Awesome! Turns out that Premiere also could run any file you throw at them. That means it runs faster and better if you installed more RAM or a better graphics card. The new better version ran smoothly, very smoothly basing its performance on the hardware inside your system. Playback used to be as terrible as the interface. I have been a Photoshop user since I started taking photos 14+ years ago and I dabbled in After Effects, but the old versions of Premiere were always clunky. Unless we upgraded, we couldn’t be bothered with.Įnter the Adobe Creative Suite to the rescue with the new version of Premiere. They were turning their backs on the professionals that help build their empire. Apple announced that it would no longer provide future upgrades or support for FCP7. Why couldn’t we get an update that let us edit with those file types? Then it happened. It also forced us to expand our delivery schedule. They didn’t want to pay for that prep time. Converting footage to an older codec before we could even start cutting. Bottom line is that with all these different formats, most of our time was spent transcoding. To work with that footage it required a long convoluted workflow using proxies, off-line editing, followed by online editing. Those files couldn’t be imported natively into our editing project. More and more clients were shooting with Red cameras, and Red’s still have their own codec (R3d). All the clients were shooting with DSLR’s and recorded using the H264 codec.
Then new cameras started introducing new formats. Why wouldn’t they make the new version compatible? This seemed like way too much trouble for me, so I decided to not upgrade and keep editing with FCP7. We had years of work saved in those project files. It was frustrating to use, and most importantly, I wouldn’t open out FCP& project files.
#Mac vs windows for artists professional#
It didn’t seem to integrate into a professional post workflow. The Internet started buzzing with the problems caused by FCPX.
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